"Pavane and Gigue (arr. L. Stokowski for orchestra)" by William Byrd, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier was released on January 27, 2009. With this song being about 5 minutes long, at 4:33, "Pavane and Gigue (arr. L. Stokowski for orchestra)" by William Byrd, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 17 in Bach Transcriptions, Vol. 2 by Leopold Stokowski, José Serebrier. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Pavane and Gigue (arr. L. Stokowski for orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pavane and Gigue (arr. L. Stokowski for orchestra) by William Byrd, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
In The Silver Moonshine | Mingxin Du, Takako Nishizaki, Singapore Symphony Orchestra | G Major | 1 | 9B | 87 BPM | ||
Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
Elegie, Op. 24 (version for cello and orchestra) | Gabriel Fauré, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A♭ Major | 0 | 4B | 86 BPM | ||
John Dunbar Theme - From "Dances With Wolves" | John Barry, Hollywood Bowl Orchestra, John Mauceri | E♭ Major | 1 | 5B | 98 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Pavan: The Earl Of Salisbury & Galliard - Live | William Byrd, London Symphony Orchestra, Leopold Stokowski | A Minor | 1 | 8A | 83 BPM | ||
Symphony No. 5 in D Minor, Op. 107, "Reformation": II. Allegro vivace | Felix Mendelssohn, Kammerakademie Potsdam, Antonello Manacorda | F Major | 1 | 7B | 60 BPM | ||
Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo | Joseph Haydn, Emanuel Ax, Franz Liszt Chamber Orchestra | C Major | 0 | 8B | 144 BPM |