Heitor Villa-Lobos, Rosenete Eberhardt, Marcus Llerena's 'Rosa Amarela' came out on February 10, 2011. The duration of Rosa Amarela is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Rosa Amarela's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in Canções, Serestas e Modinhas (Villa Lobos) by H. Villa Lobos, Rosenete Eberhardt, Marcus Llerena. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. Rosa Amarela is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rosa Amarela by Heitor Villa-Lobos, Rosenete Eberhardt, Marcus Llerena is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Variations on "Nume perdonami, se in tale istante", Op. 102 | Mauro Giuliani, Marco Tamayo | D Major | 1 | 10B | 113 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Saudades das Selvas Brasilieras No. 2 | Heitor Villa-Lobos, Nelson Freire | A Major | 1 | 11B | 65 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Theme varies et 12 Minuets, Op. 11: Menuet No. 1 | Fernando Sor, John Holmquist | G Major | 1 | 9B | 79 BPM |