Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá's 'Il Giardino d'Amore: Più non m'alletta e piace (Aria)' came out on October 6, 2023. Since Il Giardino d'Amore: Più non m'alletta e piace (Aria) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 27 in Alessandro Scarlatti: Baroque Influencer by Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Il Giardino d'Amore: Più non m'alletta e piace (Aria) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Giardino d'Amore: Più non m'alletta e piace (Aria) by Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse, HWV 40, Act I: O voi, che penate (Romilda, Arsamene, Elviro, Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Valentini: La clemenza di Tito, Act 2: "Se mai senti spirarti sul volto" (Sesto) | Michelangelo Valentini, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM | ||
A battaglia, pensieri: Sinfonia | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | C Major | 2 | 8B | 146 BPM | ||
Ino, TWV 20:41: Ino, TWV 20:41: No. 2, Aria "Ungöttliche Saturnia" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Sonate in D minor: III. Courante | Anne Danican Philidor, Dorothee Oberlinger | B Major | 2 | 1B | 46 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 4 | 12B | 101 BPM | ||
Le nozze di Figaro, K. 492, Act 4: L'ho perduta me meschina! (Arr. for Countertenor & String Quartet by Eric Mouret) | Wolfgang Amadeus Mozart, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Dido and Aeneas, Z. 626, Act II: Gitter Ground at Dance - Often she visits | Henry Purcell, La Nuova Musica, David Bates, Hilary Cronin | F♯ Minor | 2 | 11A | 126 BPM |