Henryk Wieniawski, Itzhak Perlman, Samuel Sanders's 'Polonaise No. 2, Op.21 - 1995 Remastered Version' came out on January 12, 1996. Since Polonaise No. 2, Op.21 - 1995 Remastered Version is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wieniawski: Works for Violin by Henryk Wieniawski, Itzhak Perlman. The song's track number on the album is #3 out of 11 tracks. In terms of popularity, Polonaise No. 2, Op.21 - 1995 Remastered Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Polonaise No. 2, Op.21 - 1995 Remastered Version by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Polonaise No. 2, Op.21 - 1995 Remastered Version being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B Minor | 1 | 10A | 79 BPM | ||
Legende, Op. 17 | Henryk Wieniawski, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | G Minor | 1 | 6A | 89 BPM | ||
Violin Concerto In B Minor, Op.61: 2. Andante | Edward Elgar, Itzhak Perlman, Chicago Symphony Orchestra, Daniel Barenboim | E♭ Minor | 1 | 2A | 103 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
Romance, Op. 78, No. 2 | Jean Sibelius, Joshua Bell, Samuel Sanders | F Major | 1 | 7B | 84 BPM | ||
Wieniawski : Variations on an original theme Op.15 | Henryk Wieniawski, Vadim Repin | A Major | 1 | 11B | 78 BPM | ||
Brahms: Violin Sonata, 'F-A-E': III. Scherzo in C Minor | Johannes Brahms, Itzhak Perlman | B♭ Minor | 1 | 3A | 125 BPM | ||
Melodie | Christoph Willibald Gluck, Itzhak Perlman, Samuel Sanders | D Minor | 1 | 7A | 89 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: II. Lebhaft | Robert Schumann, Tabea Zimmermann, Hartmut Höll | E Major | 0 | 12B | 112 BPM | ||
Suite for Cello and Orchestra, Op. 16: V. Tarantelle (presto non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 3 | 10B | 94 BPM |