"A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno - Instrumental" by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 2010. A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno - Instrumental is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Klassiskt - 27 kända klassiska mästerverk" album is number 3 out of 27. On top of that, Germany appears to be the country where this track was created. A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno - Instrumental by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series 1, Op. 46, B. 83: No. 8 | Antonín Dvořák, Slovak Philharmonic, Zdeněk Košler | A Minor | 0 | 8A | 150 BPM | ||
Symphony No. 4 in C minor, D.417 - "Tragic": 2. Andante | Franz Schubert, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 0 | 3B | 121 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Lob der Frauen (In Praise of Women), Op. 315 | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 0 | 8B | 86 BPM | ||
The Rite of Spring: Mock Abduction | Igor Stravinsky, Seiji Ozawa | E Minor | 6 | 9A | 81 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Orchestra Of The 18th Century, Frans Brüggen | E Major | 3 | 12B | 105 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Symphony No. 8 in C Minor, Op. 65: II. Allegretto - Live | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | A♭ Major | 2 | 4B | 71 BPM | ||
Two Eligiac Melodies Heart Wounds | Academy of St. Martin in the Fields | C Major | 1 | 8B | 87 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM |