Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra made "Symphony No. 5 in E Minor, Op. 64, TH 29: IV. Andante maestoso - Allegro vivace" available on October 1, 1984. Symphony No. 5 in E Minor, Op. 64, TH 29: IV. Andante maestoso - Allegro vivace appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Tchaikovsky: Symphony No. 5". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Symphony No. 5 in E Minor, Op. 64, TH 29: IV. Andante maestoso - Allegro vivace's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 5 in E Minor, Op. 64, TH 29: IV. Andante maestoso - Allegro vivace by Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling | G Major | 1 | 9B | 65 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Act 1: XIII. Dance of the Knights | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | C Major | 0 | 8B | 104 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Concerto No. 2, Op. 56, Scharw. 126: II. Adagio | Franz Xaver Scharwenka, Neeme Järvi, Estonian National Symphony Orchestra, Alexander Markovich | A Major | 2 | 11B | 103 BPM |