"La Tragédie de Salomé, Op. 50: V. Quatrième tableau" by Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu was released on May 10, 2024. The duration of La Tragédie de Salomé, Op. 50: V. Quatrième tableau is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. La Tragédie de Salomé, Op. 50: V. Quatrième tableau's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schmitt: La Tragédie de Salomé & Chant élégiaque". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. La Tragédie de Salomé, Op. 50: V. Quatrième tableau is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Tragédie de Salomé, Op. 50: V. Quatrième tableau by Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Vaughan Williams: Tuba Concerto in F Minor: II. Romanza. Andante sostenuto | Ralph Vaughan Williams, Perry Hoogendijk, Royal Concertgebouw Orchestra, Dima Slobodeniouk | G Major | 1 | 9B | 131 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
La Tragédie de Salomé, Op. 50: II. Deuxième tableau | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
Mobiles: Lent | André Chailleux, Camille Saint-Saëns, Florent Schmitt, Guillaume Balay, Henri Büsser, Jeanine Rueff, Marcel Bitsch, Philippe Gaubert, Theo Charlier, Hannes Läubin, Lukas Maria Kuen | F Major | 0 | 7B | 71 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM |