Edvard Grieg, Maurice Abravanel, Utah Symphony Orchestra's 'Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King - Remastered 2024' came out on January 1, 1976. The duration of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King - Remastered 2024 is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King - Remastered 2024's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Maurice Abravanel, Utah Symphony Orchestra's "Grieg: Peer Gynt Suites Nos. 1 & 2, Holberg Suite & Other Orchestral Works (Remastered 2024)" album is number 4 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King - Remastered 2024's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King - Remastered 2024 by Edvard Grieg, Maurice Abravanel, Utah Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 153 テンポ, a half-time of 76テンポ, and a double-time of 306 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rage Over A Lost Penny (Rondo A Capiriccia Op. 129) | The Jane Austen Era | G Major | 2 | 9B | 153 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | F Minor | 0 | 4A | 80 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
Strauss Jr., J.: Frühlingsstimmen, Op. 410 (Excerpt) | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | B♭ Major | 1 | 6B | 112 BPM | ||
Romeo and Juliet, Op.64: Montagues and Capulets | Sergei Prokofiev, Rotterdam Philharmonic Orchestra, Edo de Waart | A Minor | 1 | 8A | 113 BPM |