"Im Kontor" by Lore Brunner, Merlin Ensemble Wien, Haruhi Tanka, Stefan Ennemoser, Allen Smith, Othmar Gaiswinkler, Denton Roberts, Martin Walch was released on September 23, 2006. The duration of Im Kontor is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Im Kontor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 22 in Die Geschichte vom Soldaten by Lore Brunner. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Im Kontor is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Im Kontor by Lore Brunner, Merlin Ensemble Wien, Haruhi Tanka, Stefan Ennemoser, Allen Smith, Othmar Gaiswinkler, Denton Roberts, Martin Walch is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Golden Age Suite, Op. 22a: Polka | Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | C Minor | 1 | 5A | 108 BPM | ||
The Drawing Room | Philip Glass, Kronos Quartet | D♭ Major | 0 | 3B | 112 BPM | ||
Linda di Chamounix, A. 62: Sinfonia | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
Al Compás Del Barro | Tres Caidas | F♯ Minor | 5 | 11A | 71 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM | ||
Serenade for Wind in D minor, Op.44: 1. Moderato, quasi marcia | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | F Major | 1 | 7B | 104 BPM | ||
Die Fledermaus / Act 2: Dialog: Bravo! Bravissimo! | Johann Strauss II, Evi List, Julia Varady, Ivan Rebroff, Bernd Weikl, Hermann Prey, Chor der Bayerischen Staatsoper München | F Minor | 3 | 4A | 122 BPM | ||
Verdi: Ernani, Act 3 Scene 1: No. 10, Preludio, Scena e Cavatina, "È questo il loco?" (Carlo, Riccardo) | Giuseppe Verdi, Renato Bruson, Gianfranco Manganotti, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | C Minor | 0 | 5A | 104 BPM |