Anonymous, Gabriel Fauré, Sam Piha, Martin Vishnik's 'Pavane, Op. 50 (arr. for 2 guitars)' came out on January 1, 2007. The duration of Pavane, Op. 50 (arr. for 2 guitars) is about 3 minutes long, at 3:27. Based on our data, "Pavane, Op. 50 (arr. for 2 guitars)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists, Anton Nanut, Robert Wagner's "Instrumental and Orchestral Music - Bach, J.S. / Mozart, W.A. / Beethoven, L. Van / Faure, G. / Mahler, G. (A Musical Moment)" album is number 5 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Pavane, Op. 50 (arr. for 2 guitars)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pavane, Op. 50 (arr. for 2 guitars) by Anonymous, Gabriel Fauré, Sam Piha, Martin Vishnik to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance "Jeux interdits" | Narciso Yepes, Pepe Romero | E Minor | 1 | 9A | 121 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): III. Danza pastorale: Allegro | Karoly Botvay | E Major | 1 | 12B | 140 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Gran vals : Gran vals | Norbert Kraft | E Major | 1 | 12B | 96 BPM | ||
Harp Concerto in C Major, Op. 6, No. 1: II. Andantino poco allegretto | Ernst Eichner, Silke Aichhorn, Kurpfälzisches Kammerorchester, Stefan Fraas | F Major | 0 | 7B | 133 BPM | ||
Ich sachz eyns mols (Glogauer Liederbuch, c. 1480) | Anonymous, Joculatores Upsalienses | D Minor | 0 | 7A | 101 BPM | ||
Amazing Grace | Anonymous, Gautier Capuçon, Jerome Ducros, Johanna Malangré, Orchestre national de Bretagne | A♭ Minor | 2 | 1A | 113 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | C Major | 0 | 8B | 114 BPM | ||
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM |