"Concerto for Violin, Piano and String Quartet in D Major, Op. 21: IV. Finale. Tres anime" by Ernest Chausson, Jorge Bolet, Juilliard String Quartet was released on 1983. Concerto for Violin, Piano and String Quartet in D Major, Op. 21: IV. Finale. Tres anime appears to be safe for all ages as it is not explicit. The song is number 4 out of 4 in Ernest Chausson: Concerto for Violin, Piano and String Quartet in D Major, Op. 21 by Ernest Chausson, Jorge Bolet. Based on our statistics, Concerto for Violin, Piano and String Quartet in D Major, Op. 21: IV. Finale. Tres anime's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Violin, Piano and String Quartet in D Major, Op. 21: IV. Finale. Tres anime by Ernest Chausson, Jorge Bolet, Juilliard String Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Sonata in G Minor, Op. 19: III. Andante (Arr. for Violin and Piano) | Sergei Rachmaninoff, Janine Jansen, Antonio Pappano | E♭ Major | 1 | 5B | 96 BPM | ||
Chausson : Le roi Arthus : Act 2 "Merlin, entends ma voix" [Arthus, Merlin] | Ernest Chausson, Armin Jordan, Nouvel Orchestre Philharmonique | C Major | 1 | 8B | 79 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Piano Concerto in A Minor, Op. 7: 2. Romance: Andante non troppo con grazia | Clara Schumann, Isata Kanneh-Mason, Jonathan Aasgaard, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A♭ Major | 0 | 4B | 74 BPM | ||
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Poème de Paul Verlaine: La chanson bien douce Op. 34 No. 1 | Ernest Chausson, Marie-Nicole Lemieux | F Minor | 1 | 4A | 69 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM |