"Tosca / Act 3: Prelude - "Io de' sospiri"" by Giacomo Puccini, Walter Barotti, National Philharmonic Orchestra, Nicola Rescigno was released on January 1, 1978. Tosca / Act 3: Prelude - "Io de' sospiri" is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 29 in the song's album "Puccini: Tosca". In this album, this song's track order is #13. Tosca / Act 3: Prelude - "Io de' sospiri" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 3: Prelude - "Io de' sospiri" by Giacomo Puccini, Walter Barotti, National Philharmonic Orchestra, Nicola Rescigno having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Ingvar Wixell, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 77 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) | Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra | D Major | 2 | 10B | 138 BPM | ||
La Sonnambula / Act 1: Sopra il sen la man mi posa | Vincenzo Bellini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 75 BPM | ||
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
Faust, CG 4 / Act I: "Mais ce Dieu" | Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin | C Major | 3 | 8B | 64 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
L'elisir d'amore / Act 1: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 109 BPM | ||
Madama Butterfly / Act 2: C'è. Entrate | Giacomo Puccini, Robert Kerns, Michel Sénéchal, Mirella Freni, Giorgio Stendoro, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 68 BPM | ||
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM |