St. Mark's Philharmonic Orchestra made "Im Weissen Rossel: Mein Lieberlied muss ein Walzer sein" available on January 1, 2008. The duration of Im Weissen Rossel: Mein Lieberlied muss ein Walzer sein is about 3 minutes long, at 3:17. Based on our data, "Im Weissen Rossel: Mein Lieberlied muss ein Walzer sein" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Opera's Finest Moments". In this album, this song's track order is #40. In terms of popularity, Im Weissen Rossel: Mein Lieberlied muss ein Walzer sein is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Im Weissen Rossel: Mein Lieberlied muss ein Walzer sein by St. Mark's Philharmonic Orchestra having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Moment Musical In F Minor | South German Philharmonic Orchestra | F Minor | 0 | 4A | 95 BPM | ||
Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
Fantasy In E Flat | St. Mark's Philharmonic Orchestra | E♭ Major | 1 | 5B | 128 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | ||
Peer Gynt Suite, Op. 55, No. 2: Solveigs Lied | Slovak State Philharmonic Orchestra, Christian Ehwald | A Minor | 0 | 8A | 123 BPM | ||
Consolation No. 3 in D-Flat Major: Lento placido (feat. Sarah Ainsworth) | The Royal Festival Orchestra, Sarah Ainsworth | C Major | 0 | 8B | 139 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): III. Allegro | Karoly Botvay | C Major | 1 | 8B | 136 BPM | ||
Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM |