Erik Satie, Stéphane Blet's 'Trois Gymnopédies: No. 2, Lent et triste' came out on 2015. The duration of Trois Gymnopédies: No. 2, Lent et triste is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Trois Gymnopédies: No. 2, Lent et triste's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Satie: Du chat noir à la Rose+Croix". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Trois Gymnopédies: No. 2, Lent et triste is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trois Gymnopédies: No. 2, Lent et triste by Erik Satie, Stéphane Blet having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.2 in G Major, Op. 44: I. L'istesso tempo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 1 | 10B | 62 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
Sicilienne (from Concerto in D minor, BWV 596) | Johann Sebastian Bach, Antonio Vivaldi, Arcadi Volodos | G Minor | 0 | 6A | 138 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Nocturne No. 1 in E flat, Op. 33, No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: No. 40 in D Major, Op. 85, No. 4 | Felix Mendelssohn, Péter Nagy | D Major | 0 | 10B | 108 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM |