Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic's 'Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live)' came out on August 1, 1994. The duration of Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994 (Live)". In this album, this song's track order is #23. Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) by Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Embraceable You | George Gershwin, Zubin Mehta, New York Philharmonic | C Major | 1 | 8B | 68 BPM | ||
Das Land de Lachelns, Act 2 (1986 Digital Remaster): Dein ist mein ganzes Herz | Fritz Wunderlich, Symphonieorchester Graunke, Carl Michalski | D♭ Minor | 2 | 12A | 84 BPM | ||
Norma / Act 1: Casta Diva [Norma] | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 59 BPM | ||
De Curtis / Arr. Mancini: Non ti scordar di me (Live) | Ernesto de Curtis, Luciano Pavarotti, Zubin Mehta, Los Angeles Philharmonic | A Major | 3 | 11B | 82 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM | ||
Nabucco: Va, Pensiero (Choeur des esclaves Hébreux) (Extrait) | L'Orchestre National du Bolchoï | D♭ Major | 1 | 3B | 83 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM | ||
Brazil - Live | Bob Russell, Ary Barroso, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 8 | 5B | 118 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: 2. Larghetto | Frédéric Chopin, Lang Lang, Wiener Philharmoniker, Zubin Mehta | D♭ Major | 0 | 3B | 67 BPM |