Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps...

Thomas Adès, Tom Poster, Hugh Webb
America
2:47 2004年2月24日
テンポ
166
キー
A Major
キャメロットミュージックキー
11B

リンクを埋め込む

共有

Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... - Thomas Adès, Tom Poster, Hugh Webb 情報

音響性
94%
ダンサビリティ
20%
エネルギー
2%
手段性
51%
活気
5%
ラウドネス
62%
話し言葉
4%
価数
4%
人気
ラウドネス
-22.919 dB

まとめ

"Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps..." by Thomas Adès, Tom Poster, Hugh Webb was released on February 24, 2004. The duration of Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps...'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 15 in America by Thomas Adès. The popularity of Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... テンポ

The tempo marking of Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... by Thomas Adès, Tom Poster, Hugh Webb is Vivace (lively and fast), since this song has a tempo of 166 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... キー

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Four Songs: No. 1, By Beauteous Softness (Arr. for Voice & Piano by Thomas Adès) by Henry Purcell, Thomas Adès, Iestyn Davies, Joseph MiddletonFour Songs: No. 1, By Beauteous Softness (Arr. for Voice & Piano by Thomas Adès)Henry Purcell, Thomas Adès, Iestyn Davies, Joseph MiddletonA♭ Major14B92 BPM
4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) by Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato)Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas SanderlingF♯ Major02B78 BPM
Winterreise, Op. 89, D. 911: No. 10, Rast by Franz Schubert, Ian Bostridge, Thomas AdèsWinterreise, Op. 89, D. 911: No. 10, RastFranz Schubert, Ian Bostridge, Thomas AdèsE Major112B136 BPM
Nocturne No. 10 In E Minor by Benjamin Frith, John FieldNocturne No. 10 In E MinorBenjamin Frith, John FieldE Minor09A65 BPM
Claudine A L’Ecole Print by Thomas AdèsClaudine A L’Ecole PrintThomas AdèsA Major111B134 BPM
Music for a While (from Oedipus, Z. 583) by Henry Purcell, Martin FröstMusic for a While (from Oedipus, Z. 583)Henry Purcell, Martin FröstD Minor07A77 BPM
Mercy by Max Richter, Hilary Hahn, Cory SmytheMercyMax Richter, Hilary Hahn, Cory SmytheB♭ Minor03A91 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinE♭ Major05B79 BPM
Three Piano Preludes: No. 2 by Frederick Delius, Eric ParkinThree Piano Preludes: No. 2Frederick Delius, Eric ParkinA Minor08A174 BPM
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings)Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars UpatnieksG Minor06A84 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records