"Historia der Auferstehung Jesu Christi, SWV 50: III. Maria aber stund vor dem Grabe" by Heinrich Schütz, Cenek Svoboda, Georg Poplutz, Tobias Mäthger, Oliver Kaden, Felix Rumpf, Andreas Arend, Hille Perl, Margret Baumgartl, Karina Müller, Ludger Rémy, The Sirius Viols, Hans-Christoph Rademann was released on February 1, 2014. Historia der Auferstehung Jesu Christi, SWV 50: III. Maria aber stund vor dem Grabe is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The popularity of Historia der Auferstehung Jesu Christi, SWV 50: III. Maria aber stund vor dem Grabe is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Historia der Auferstehung Jesu Christi, SWV 50: III. Maria aber stund vor dem Grabe by Heinrich Schütz, Cenek Svoboda, Georg Poplutz, Tobias Mäthger, Oliver Kaden, Felix Rumpf, Andreas Arend, Hille Perl, Margret Baumgartl, Karina Müller, Ludger Rémy, The Sirius Viols, Hans-Christoph Rademann having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
O lieber Herre Gott, SWV 381 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F♯ Major | 1 | 2B | 166 BPM | ||
Te Deum "de Lyon": VII. Tu rex gloriæ, Christe | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Guerrero: Conceptio tua | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Schauet doch und sehet, BWV 46: No. 5, Doch Jesus will auch bei der Strafe | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart, Elvira Bill | B Major | 1 | 1B | 94 BPM | ||
Messa della Madonna: Recercar con obligo di Cantare la Quinta parte senza Tocarla | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Ur drömliv I (Arr. for Vocal Ensemble) | Elfrida Andrée, Singer Pur | A Major | 0 | 11B | 65 BPM |