Niccolò Paganini, Ruggiero Ricci made "24 Caprices for Violin, Op. 1: No. 24 in A Minor" available on January 1, 1960. With this song being about 5 minutes long, at 5:26, "24 Caprices for Violin, Op. 1: No. 24 in A Minor" by Niccolò Paganini, Ruggiero Ricci is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #24. In terms of popularity, 24 Caprices for Violin, Op. 1: No. 24 in A Minor is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 24 Caprices for Violin, Op. 1: No. 24 in A Minor by Niccolò Paganini, Ruggiero Ricci having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Major for Guitar and Orchestra, RV 425: I. Allegro | Boris Björn Bagger | C Major | 4 | 8B | 171 BPM | ||
14 Songs, Op. 34: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Maria Kliegel, Raymund Havenith | E Minor | 1 | 9A | 80 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 2 | 10B | 105 BPM | ||
Quartet No. 6 in D Minor, (Op. 5 No. 3) M.S.33: I. Allegro | Niccolò Paganini, Daniel Rowland, Maja Bogdanovic, Alberto Mesirca, Razvan Popovici | B Major | 1 | 1B | 129 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Duo merveille, Op. 6 "Duet for One" | Niccolò Paganini, Rachel Barton Pine | G Major | 0 | 9B | 131 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
March, Op. 33: The Love of the Three Oranges | RSO Bratislava Ondrej Lenard | G Major | 4 | 9B | 110 BPM | ||
Passacaglia (after the Passacaille from the Harpsichord Suite No. 7 in G minor) | George Frideric Handel, Lynn Harrell | G Minor | 2 | 6A | 74 BPM | ||
Sonata in A Major, Op. 17: No. 5: I. Allegro | Johann Christian Bach, See Siang Wong | F♯ Minor | 2 | 11A | 65 BPM |