Dietrich Buxtehude, Yoshie Hida, Midori Suzuki, Yoshitaka Ogasawara, Makoto Sakurada, Bach Collegium Japan, Masaaki Suzuki's 'Membra Jesu nostri, BuxWV 75: Ecce super montes (Chorus)' came out on May 31, 1998. With Membra Jesu nostri, BuxWV 75: Ecce super montes (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 39 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Membra Jesu nostri, BuxWV 75: Ecce super montes (Chorus) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Membra Jesu nostri, BuxWV 75: Ecce super montes (Chorus) by Dietrich Buxtehude, Yoshie Hida, Midori Suzuki, Yoshitaka Ogasawara, Makoto Sakurada, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
Alegria | Green Nature | A♭ Major | 1 | 4B | 117 BPM | ||
Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 90 BPM | ||
Messa Della Domenica: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: II. Lento [Ciacona] | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 86 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Andante in E Minor (pipe organ) | Giovanni Andrea Fioroni, Pastór de Lasala | D♭ Minor | 0 | 12A | 72 BPM |