"Ockeghem: Missa pro Defunctis: II. Kyrie" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier was released on 1985. With this song being about 5 minutes long, at 4:37, "Ockeghem: Missa pro Defunctis: II. Kyrie" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Ockeghem - Requiem (Missa Pro Defunctis) & Missa Mi Mi (Missa Quarti Toni)". In this album, this song's track order is #2. Ockeghem: Missa pro Defunctis: II. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ockeghem: Missa pro Defunctis: II. Kyrie by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Responsoria: Sabbato Sancto / In III Nocturno: Responsorium 8 | Carlo Gesualdo, The Hilliard Ensemble | D Minor | 2 | 7A | 119 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 136 BPM | ||
Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 79 BPM | ||
O salutaris hostia | Jan Garbarek, Pierre de la Rue, The Hilliard Ensemble | C Major | 1 | 8B | 89 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 128 BPM | ||
Messe de Notre-Dame: X. Agnus Dei | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F♯ Major | 1 | 2B | 87 BPM | ||
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
Lorca Suite, Op.72: I. Canción de jinete (The Rider) | Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier | A Minor | 1 | 8A | 60 BPM |