"Suite No 4 in G Minor: VI. Le Carillon de Passy" by Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi was released on September 3, 2014. The duration of Suite No 4 in G Minor: VI. Le Carillon de Passy is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Suite No 4 in G Minor: VI. Le Carillon de Passy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 18 in Forqueray le Diable by Jean-Baptiste Forqueray, Vittorio Ghielmi. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Suite No 4 in G Minor: VI. Le Carillon de Passy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No 4 in G Minor: VI. Le Carillon de Passy by Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: III. Allegro poco | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Suite No. 4 in G Minor: III. La d'Aubonne (Sarabande) | Antoine Forqueray, Jean-Baptiste Forqueray, Gustav Leonhardt | F♯ Minor | 2 | 11A | 118 BPM | ||
Ire. Suite, V La Portugaise. Marqué et d’aplomb | Jean-Baptiste Forqueray, Ketil Haugsand | C Minor | 3 | 5A | 130 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: VII. Largo Andante | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 130 BPM | ||
Trio Sonata in C Minor, BuxWV 262: I. Poco adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Johann Sebastian Bach, Frank Theuns, Sophie Gent, Bertrand Cuiller | B♭ Minor | 1 | 3A | 74 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: V. Sarabande en rondeau | Marin Marais, Ensemble Amalia | C Major | 3 | 8B | 70 BPM |