"La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. The duration of La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)" is about 3 minutes long, at 3:04. Based on our data, "La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 21 out of 53. In terms of popularity, La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)" by Evergreen Symphony Orchestra, Kevin Galiè to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces, WAB 97: No. 1, Moderato | Anton Bruckner, Luxembourg Philharmonic Orchestra, Gustavo Gimeno | E♭ Major | 1 | 5B | 134 BPM | ||
Cello Concerto No. 2 in B Minor, Op. 50: I. Allegro | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 2 | 10A | 113 BPM | ||
May Night: Overture | Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | G Major | 3 | 9B | 140 BPM | ||
Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM | ||
Symphonic Dances, Op.64: 2. No. 2 in A | Edvard Grieg, Philharmonia Orchestra, Raymond Leppard | A Major | 0 | 11B | 115 BPM | ||
Sinfonia in E-Flat Major: II. Romance variee - Andantino | Theodor, Freiherr von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | B♭ Major | 1 | 6B | 85 BPM | ||
Aleko: Men's Dance | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
Symphony in D Minor, FWV 48: III. Finale. Allegro non troppo | César Franck, Luxembourg Philharmonic Orchestra, Gustavo Gimeno | D Major | 1 | 10B | 129 BPM | ||
Bassoon Concertino in E-Flat Major, Op. 23: II. Andante | Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss | G Major | 0 | 9B | 83 BPM |