"Atys, Acte IV, Scène 1: "Quoi ! Vous pleurez !" (Doris)" by Jean-Baptiste Lully, Françoise Semellaz, Jacques Bona, Agnes Mellon, Les Arts Florissants, William Christie was released on February 28, 1987. Atys, Acte IV, Scène 1: "Quoi ! Vous pleurez !" (Doris) is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 1 out of 74. In terms of popularity, Atys, Acte IV, Scène 1: "Quoi ! Vous pleurez !" (Doris) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Atys, Acte IV, Scène 1: "Quoi ! Vous pleurez !" (Doris) by Jean-Baptiste Lully, Françoise Semellaz, Jacques Bona, Agnes Mellon, Les Arts Florissants, William Christie to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Atys, LWV 53, Act II: Que les plus doux Zéphyrs (Cybèle, Chœur des Peuples) | Jean-Baptiste Lully, Ambroisine Bré, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur | B♭ Major | 2 | 6B | 119 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM | ||
Ballet Des Arts / La Guerre: Dialogue de Mars et de Bellone (Ritournelle, Dialogue 1, Ritournelle, Dialogue 2) | Jean-Baptiste Lully, Mélodie Ruvio, Arnaud Richard, La Simphonie Du Marais, Hugo Reyne | B Major | 2 | 1B | 128 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM |