"Manon: "Ah! Fuyez, douce image" - Version 2" by Orchestra of the Royal Opera House, Covent Garden, Stanford Robinson, Tano Ferentino was released on January 30, 2012. With this song being about 5 minutes long, at 4:32, "Manon: "Ah! Fuyez, douce image" - Version 2" by Orchestra of the Royal Opera House, Covent Garden, Stanford Robinson, Tano Ferentino is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Singer Portrait - Tano Ferentino". In this album, this song's track order is #14. Manon: "Ah! Fuyez, douce image" - Version 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon: "Ah! Fuyez, douce image" - Version 2 by Orchestra of the Royal Opera House, Covent Garden, Stanford Robinson, Tano Ferentino having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
Così fan tutte / Act 1: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Nicolai Gedda, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | A Major | 1 | 11B | 126 BPM | ||
Romeo and Juliet, Op. 64: No. 15 Mercutio | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A♭ Major | 1 | 4B | 154 BPM | ||
Vivaldi: La stravaganza, Violin Concerto in E Minor, Op. 4 No. 2, RV 279: I. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi | E♭ Minor | 3 | 2A | 109 BPM | ||
Don Quixote: Act III: Classical Variation II | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Minor | 1 | 4A | 98 BPM | ||
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | G Minor | 2 | 6A | 114 BPM | ||
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Les Indes galantes, RCT 44 / Entrée IV: Danse des sauvages | Jean-Philippe Rameau, Daniel Hope, Michael Metzler, Zürcher Kammerorchester | G Minor | 3 | 6A | 107 BPM |