Leo Slezak's 'Als Ich Erwacht', Tannhäuser (Oper In 3 Akten) (Auszug)' came out on May 5, 2010. The duration of Als Ich Erwacht', Tannhäuser (Oper In 3 Akten) (Auszug) is about 3 minutes long, at 3:11. Based on our data, "Als Ich Erwacht', Tannhäuser (Oper In 3 Akten) (Auszug)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 22 out of 22. Als Ich Erwacht', Tannhäuser (Oper In 3 Akten) (Auszug) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Als Ich Erwacht', Tannhäuser (Oper In 3 Akten) (Auszug) by Leo Slezak to be Larghetto (rather broadly) because the track has a tempo of 64 テンポ, a half-time of 32テンポ, and a double-time of 128 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Mondnacht | Leo Slezak | E Major | 1 | 12B | 73 BPM | ||
Liederkreis, Op. 39: No. 5. Mondnacht | Robert Schumann, Leo Slezak, Studio pianist | E Major | 1 | 12B | 172 BPM | ||
Der Odem der Liebe (Cosi fan tutte) | Leo Slezak | A Major | 2 | 11B | 85 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
Tales From The Vienna Woods | Kathryn Grayson | D♭ Major | 1 | 3B | 63 BPM | ||
Rigoletto: Questa o quella (Recorded 1906) | Giuseppe Verdi, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Zueignung | Leo Slezak, Heinrich Schacker | C Major | 2 | 8B | 77 BPM | ||
Wohin lenk` ich die müden Schritte (Die Königin von Saba) | Leo Slezak | F♯ Major | 1 | 2B | 80 BPM | ||
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM |