César Franck, Christelijk koor Jigdaljahu, Willem Arie den Hertog, Marco den Toom, Lennart Morée, Martin de Deugd, Marjolein de Wit, Jacolien Kik, Jaco van Houselt, Lucas Kramer, Pieter Bakker's 'Hoor mijn gebed' had a release date set for July 1, 2008. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christelijk koor Jigdaljahu's "Hij is de Rots" album is number 7 out of 20. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Hoor mijn gebed is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hoor mijn gebed by César Franck, Christelijk koor Jigdaljahu, Willem Arie den Hertog, Marco den Toom, Lennart Morée, Martin de Deugd, Marjolein de Wit, Jacolien Kik, Jaco van Houselt, Lucas Kramer, Pieter Bakker to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Franck: Variations symphoniques, FWV 46: III. Molto più lento | César Franck, Paavo Berglund, Sylvia Kersenbaum, Bournemouth Symphony Orchestra | D♭ Major | 0 | 3B | 77 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Prélude, Fugue et Variation, Op. 18: IV. Andantino (Arr. pour piano) | César Franck, Nikolai Lugansky | B Minor | 0 | 10A | 69 BPM | ||
Frühlingsglaube, D. 686 | Франц Шуберт, Franz Schubert, Даниил Трифонов, Valery Gergiev, Симфонический оркестр Мариинского театра | A♭ Major | 0 | 4B | 127 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM |