"Praise to God in the Highest" by Sidney Campbell, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins was released on September 17, 1994. The duration of Praise to God in the Highest is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Praise to God in the Highest's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Choral Evensong for the Feast of Edmund, King & Martyr by St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Praise to God in the Highest is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Praise to God in the Highest by Sidney Campbell, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM | ||
Psalm 7 "O Lord My God, in Thee Have I Put My Trust" | Joseph Barnby, George Mursell Garrett, Hereford Cathedral Choir, Geraint Bowen, Roy Massey | A Minor | 0 | 8A | 76 BPM | ||
Franck: Dextera Domini, FWV 65 | César Franck, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
This Day, This Day | Christopher Walker | F Major | 2 | 7B | 102 BPM | ||
Koraalifantasia Matkalla me oomme täällä | Maarit Hosionaho | C Minor | 2 | 5A | 70 BPM | ||
Angels We Have Heard on High | Edward Atkinson, the Saint Ambrose Schola Cantorum | C Major | 3 | 8B | 112 BPM | ||
A Prayer from South Africa | James Whitbourn, Westminster Williamson Voices, James Jordan | D Major | 2 | 10B | 87 BPM | ||
Anim Zemirot - Pt. II | Jacob Mühlrad, Swedish Radio Choir | E♭ Major | 1 | 5B | 115 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
Versicles and Responses I | Bernard Rose, The Choir of Magdalen College, Oxford, Martin Souter | A Major | 0 | 11B | 78 BPM |