Titta Ruffo made "La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola"" available on November 30, 2010. The duration of La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola" is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #12. Based on our statistics, La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola"'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola" by Titta Ruffo having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Condesa de la Aguja y el Dedal: "Perdóname, Gonzalo..." | Jesús Mª Arozamena, Adolfo Torrado, Jesús Guridi, Gran Orquesta Sinfónica del Teatro Calderón | E♭ Major | 2 | 5B | 88 BPM | ||
Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 2 | 8B | 78 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Che cosa accadde" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | E♭ Major | 3 | 5B | 87 BPM | ||
Hamlet: Nega, Si Puoi | Ambroise Thomas, Titta Ruffo, Maria Galvany | C Major | 4 | 8B | 178 BPM | ||
L' Africaine (The African Maid), Act III: Adamastor, roi des vagues profondes (Sung in Italian) | Giacomo Meyerbeer, Titta Ruffo, Anonymous | D Minor | 1 | 7A | 133 BPM | ||
La Gioconda, Op.9: Pescator, affonda l'esca | Amilcare Ponchielli, Titta Ruffo, Chorus of La Scala Opera House Milan, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 109 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Mignon: Connais-tu Le Pays? | Jules Massenet, Alberto Lizzio, Donau Philharmonisches Orchester, Rita Noel | B♭ Major | 1 | 6B | 140 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Cendrillon: Prenez un maintien gracieux | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM |