"Alexander Nevsky, Op. 78: V. The Battle On Ice" by Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus was released on January 1, 1995. Alexander Nevsky, Op. 78: V. The Battle On Ice appears to be safe for all ages as it is not explicit. There are a total of 16 in the song's album "Prokofiev: Alexander Nevsky; Scythian Suite; Lieutenant Kijé". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Alexander Nevsky, Op. 78: V. The Battle On Ice is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alexander Nevsky, Op. 78: V. The Battle On Ice by Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
Egmont Overture, Op. 84 | Ludwig van Beethoven, London Symphony Orchestra, Yondani Butt | A♭ Major | 1 | 4B | 78 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Rossini: Il Barbiere di Siviglia: La ran la le ra la ran la la ... Largo al factotum ... (Figaro) - 1996 Remaster | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 4 | 8B | 75 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Suite gothique, Op. 25: IV. Toccata | Léon Boëllmann, Hans Fagius | F Minor | 1 | 4A | 130 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Masquerade: Waltz | Aram Khachaturian, London Symphony Orchestra, Yuri Ahronovitch | C Major | 3 | 8B | 95 BPM |