"Myths for Violin and Piano, Op. 30: II. The spring of arethusa" by Heide Gortz, Magdalena Rezler was released on February 14, 2012. With this song being about 5 minutes long, at 5:10, "Myths for Violin and Piano, Op. 30: II. The spring of arethusa" by Heide Gortz, Magdalena Rezler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Karol Szymanowski's "Impressionist Masterminds" album is number 47 out of 50. In terms of popularity, Myths for Violin and Piano, Op. 30: II. The spring of arethusa is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Myths for Violin and Piano, Op. 30: II. The spring of arethusa by Heide Gortz, Magdalena Rezler to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicilenne | Maria von Paradis, Louise-Andrée Baril, Thérèse Motard | E♭ Major | 0 | 5B | 70 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Elegy in C Minor, Op. 24 | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | F Minor | 0 | 4A | 81 BPM | ||
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM | ||
The Danserye (Transcr. for Piano by Florian Noack): III. Den Hoboeckendans | Tylman Susato, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Les comédiens (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Bagatelles, Op. 47, B. 79: No. 4, Canon. Andante con moto | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 124 BPM | ||
Piano Trio in A Minor, M. 67: II. Pantoum. Assez vif | Maurice Ravel, Florestan Trio | C Major | 2 | 8B | 100 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM |