On 1987, the song "Tchaikovsky: The Nutcracker - Ballet, Op. 71, Act 2: No. 12 - Divertissement: IV. Candy Canes (Russian Dance)" was released by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra. With Tchaikovsky: The Nutcracker - Ballet, Op. 71, Act 2: No. 12 - Divertissement: IV. Candy Canes (Russian Dance) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Tchaikovsky: Ballet Highlights". In this album, this song's track order is #18. Tchaikovsky: The Nutcracker - Ballet, Op. 71, Act 2: No. 12 - Divertissement: IV. Candy Canes (Russian Dance) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tchaikovsky: The Nutcracker - Ballet, Op. 71, Act 2: No. 12 - Divertissement: IV. Candy Canes (Russian Dance) by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Bleak Midwinter (Arr. for Piano by Martin Stadtfeld) | Gustav Holst, Martin Stadtfeld | F Major | 0 | 7B | 131 BPM | ||
Requiem in D Minor, Op. 48: III. Sanctus | Gabriel Fauré, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | E♭ Major | 0 | 5B | 136 BPM | ||
Vesperae solennes de confessore, K.339: V. Laudate Dominum (Arr. for Violin and Orchestra) | Wolfgang Amadeus Mozart, Joshua Bell, Michael Stern, Orchestra of St. Luke's | B♭ Major | 1 | 6B | 95 BPM | ||
Christmas Eve: Act I: Scene I - Introduction (Overture) Scene VI | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | B Major | 0 | 1B | 92 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 4, Dancing Scene. Arrival of Drosselmeyer | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle | E Minor | 1 | 9A | 145 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71: Miniature Overture | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle | B♭ Major | 0 | 6B | 119 BPM | ||
Le Corsaire: Coda | Orchestre National du Théâtre du Bolchoï | B♭ Major | 2 | 6B | 110 BPM | ||
Music for The Royal Fireworks, HWV351: Overture | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | F♯ Major | 1 | 2B | 115 BPM | ||
Te Deum, H.146 (1989 Digital Remaster): Prélude | Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Charles Brett, Stephen Roberts, Ian Partridge, Felicity Lott, Eiddwen Harrhy, Philip Ledger | D Major | 3 | 10B | 138 BPM | ||
March of the Toys (from "Babes in Toyland") | Victor Herbert, John Williams, Boston Pops Orchestra | A Minor | 2 | 8A | 136 BPM |