"Cello Concerto in E Minor, Op. 85: 1. Adagio - Moderato" by Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin was released on June 27, 1994. Since Cello Concerto in E Minor, Op. 85: 1. Adagio - Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "The Julian Lloyd Webber Collection". In this album, this song's track order is #20. In terms of popularity, Cello Concerto in E Minor, Op. 85: 1. Adagio - Moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto in E Minor, Op. 85: 1. Adagio - Moderato by Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Chopin: Prelude No. 4 in E Minor, Op. 28 No. 4 (Arr. for cello) | Frédéric Chopin, Julian Lloyd Webber | E Minor | 0 | 9A | 90 BPM | ||
The Tale Of Tsar Saltan: The Flight of the Bumble-Bee | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | A Major | 2 | 11B | 90 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Julian Lloyd Webber | F Major | 1 | 7B | 108 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Evita: Buenos Aires | Andrew Lloyd Webber, Julian Lloyd Webber, David Cullen, Jon Hiseman, Royal Philharmonic Orchestra, Barry Wordsworth | G Major | 5 | 9B | 119 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM |