Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky made "Ballet Suite No. 3 (arr. L. Atovmyan): Galop (The Limpid Stream)" available on October 6, 2004. The duration of Ballet Suite No. 3 (arr. L. Atovmyan): Galop (The Limpid Stream) is about 3 minutes long, at 3:07. Based on our data, "Ballet Suite No. 3 (arr. L. Atovmyan): Galop (The Limpid Stream)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Shostakovich: Ballet Suites Nos. 1-4". In this album, this song's track order is #18. Ballet Suite No. 3 (arr. L. Atovmyan): Galop (The Limpid Stream) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ballet Suite No. 3 (arr. L. Atovmyan): Galop (The Limpid Stream) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
Slavonic Dances, Series 1, Op. 46, B. 83: No. 8 | Antonín Dvořák, Slovak Philharmonic, Zdeněk Košler | A Minor | 0 | 8A | 150 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
Louisina Polka in E-Flat Major, JB 1:1 | Bedřich Smetana, Jan Novotný | E♭ Major | 1 | 5B | 107 BPM | ||
Atovmyan & Shostakovich: 4 Waltzes: No. 1, Spring Waltz (From "The Michurin Suite", Op. 78a) | Dmitri Shostakovich, Lev Atovmyan, Nash Ensemble | B♭ Minor | 3 | 3A | 127 BPM | ||
Ballet Suite No. 2 (arr. L. Atovmyan): Finale (Galop) (Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Oleg Tokathev, Dmitry Yablonsky, Russian Philharmonic Orchestra | B♭ Major | 5 | 6B | 168 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Johannes Brahms: Sinfonie Nr. 3 F-Dur op. 90 - III. Poco Allegretto | Royal Philharmonic Orchestra, Robert Bachmann | C Minor | 0 | 5A | 81 BPM | ||
Die Puppenfee (The Fairy Doll): No. 18 Marsch | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 3 | 10B | 127 BPM | ||
Atovmyan & Shostakovich: 4 Waltzes: No. 3, Waltz (From "The Return of Maxim", Op. 45) | Dmitri Shostakovich, Lev Atovmyan, Nash Ensemble | G Major | 1 | 9B | 112 BPM |