"Kraanerg: Tape Entrance 1" by Iannis Xenakis, Callithumpian Consort, Stephen Drury was released on May 27, 2008. The duration of Kraanerg: Tape Entrance 1 is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Kraanerg: Tape Entrance 1's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Xenakis: Kraanerg by Iannis Xenakis, Callithumpian Consort, Stephen Drury. The song's track number on the album is #2 out of 21 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Kraanerg: Tape Entrance 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Kraanerg: Tape Entrance 1 by Iannis Xenakis, Callithumpian Consort, Stephen Drury has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kraanerg: Tape Entrance 1 being at 130 テンポ, the half-time would be 65 テンポ with a double-time of 260 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mein Weg | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | B♭ Major | 0 | 6B | 90 BPM | ||
Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
Alèh Stavi für Violoncello solo | Heinz Holliger, Alexandre Foster | B♭ Minor | 0 | 3A | 37 BPM | ||
Three High Places (Double Bass Version): II. The Wind at Maclaren Summit | John Luther Adams, Robert Black | G Major | 0 | 9B | 99 BPM | ||
Rebonds B | Iannis Xenakis, Christoph Sietzen | C Major | 8 | 8B | 124 BPM | ||
11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
Threnody To the Victims of Hiroshima: Tren (Threnody), "To the Victims of Hiroshima" | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 2 | 11B | 132 BPM | ||
In the Light of Air: I. Luminance | Anna Thorvaldsdottir, International Contemporary Ensemble | A♭ Major | 0 | 4B | 66 BPM | ||
Awakening of a City | Luigi Russolo, Antonio Russolo | D♭ Major | 3 | 3B | 64 BPM | ||
Longing for a Frozen Sky | Ernst Reijseger | C Minor | 2 | 5A | 117 BPM |