Louis-Gabriel Guillemain, Isabelle Faust made "Amusement pour le violon seul, Op. 18: Aria - Gratioso" available on October 20, 2023. With Amusement pour le violon seul, Op. 18: Aria - Gratioso being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Solo: Matteis - Pisendel - Biber - Guillemain - Vilsmayr". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Based on our statistics, Amusement pour le violon seul, Op. 18: Aria - Gratioso's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Amusement pour le violon seul, Op. 18: Aria - Gratioso by Louis-Gabriel Guillemain, Isabelle Faust having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ayres for the Violin: Preludio | Nicola Matteis Sr., Isabelle Faust | A♭ Minor | 1 | 1A | 94 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Suite No. 1 in D Minor: III. Courante | Monsieur de Sainte-Colombe, Jérôme Chaboseau | D♭ Major | 1 | 3B | 112 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Fantasia No. 1 for Solo Violin in B-Flat Major, TWV 40:14: III. Grave – | Georg Philipp Telemann, Alina Ibragimova | A Minor | 2 | 8A | 160 BPM | ||
Violin Sonata in B Minor, Op. 1 No. 3: II. Allemanda - Allegro ma non presto | Louis-Gabriel Guillemain, Alana Youssefian, Le Bien-Aimé | B♭ Minor | 1 | 3A | 126 BPM | ||
Cello Sonatas, Set 2: Sonata No. 1: I. Adagio | Giovanni Benedetto Platti, Sebastian Hess, Axel Wolf | D♭ Major | 0 | 3B | 43 BPM | ||
Partita for Violin and Lute in G Minor, BWV 997r: III. Sarabande | Johann Sebastian Bach, Combattimento | G Minor | 1 | 6A | 88 BPM |