Charles-Valentin Alkan, Steven Osborne's '48 Esquisses, Op. 63, Book 3: No. 25, La poursuite' came out on March 1, 2003. With 48 Esquisses, Op. 63, Book 3: No. 25, La poursuite being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 25 out of 49 in Alkan: Esquisses (49 Sketches), Op. 63 by Charles-Valentin Alkan, Steven Osborne. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 48 Esquisses, Op. 63, Book 3: No. 25, La poursuite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 48 Esquisses, Op. 63, Book 3: No. 25, La poursuite by Charles-Valentin Alkan, Steven Osborne is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Andante and Variations, Op. 46: I. Sostenuto - Andante espressivo | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Marie Luise Neunecker, Natalia Gutman | A♭ Major | 2 | 4B | 124 BPM | ||
Villanelle for Piccolo and Piano, FP 74 | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
16 Waltzes, Op. 39: 14. In G Sharp Minor | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A♭ Major | 1 | 4B | 179 BPM | ||
12 German Dances, D790: No.3 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Lieder ohne Worte, Op.85: No. 6. Allegretto con moto in B flat, MWV U 155 | Felix Mendelssohn, Daniel Barenboim | B♭ Major | 1 | 6B | 78 BPM | ||
13 Préludes, Op. 32: No. 3. Allegro vivace in E Major | Sergei Rachmaninoff, Nikolai Lugansky | D♭ Major | 1 | 3B | 67 BPM | ||
Keyboard Sonata in D Minor, Wq. 54/3, H. 184: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 1 | 8B | 108 BPM | ||
Gnossienne No. 4 | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Variation 4 | Carl Maria von Weber, Michael Endres | F Major | 1 | 7B | 111 BPM | ||
Ma mère l'oye, Suite, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 79 BPM |