"Salvator mundi II" by Thomas Tallis, David Hill, Winchester Cathedral Choir was released on February 15, 1990. The duration of Salvator mundi II is about 3 minutes long, at 3:22. Based on our data, "Salvator mundi II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Tallis: Spem in alium & Other Choral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Salvator mundi II's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salvator mundi II by Thomas Tallis, David Hill, Winchester Cathedral Choir having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hawley: Seven Madrigals, Io Son la Primavera | Chanticleer | D Minor | 1 | 7A | 72 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Passion Week, Op. 58: I. Behold, the Bridegroom | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | D♭ Minor | 1 | 12A | 130 BPM | ||
Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | F Minor | 0 | 4A | 129 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Õhtul | Kammerkoor Head Ööd Vend | E♭ Major | 0 | 5B | 141 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Magi veniunt ab oriente: I. Magi veniunt ab oriente | Jacob Clemens non Papa, Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM |