On January 1, 1996, the song "Brandenburg Concerto No. 2 in F, BWV 1047: 3. Allegro assai" was released by Johann Sebastian Bach, Chamber Orchestra of Europe, Mark Bennett, Thierry Fischer, Douglas Boyd, Marieke Blankestijn. The duration of Brandenburg Concerto No. 2 in F, BWV 1047: 3. Allegro assai is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Brandenburg Concerto No. 2 in F, BWV 1047: 3. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Douglas Boyd, Chamber Orchestra of Europe's "J.S. Bach: Brandenburg Concertos" album is number 7 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Brandenburg Concerto No. 2 in F, BWV 1047: 3. Allegro assai is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Brandenburg Concerto No. 2 in F, BWV 1047: 3. Allegro assai by Johann Sebastian Bach, Chamber Orchestra of Europe, Mark Bennett, Thierry Fischer, Douglas Boyd, Marieke Blankestijn to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Concerto For Oboe, Strings And Basso Continuo In C Major, Op.8 No.4: - Presto | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I musici di Roma | C Major | 2 | 8B | 120 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Herz und Mund und Tat und Leben (Chorus) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | B Major | 3 | 1B | 97 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 127 BPM | ||
Bach, CPE: Harpsichord Concerto in D Minor, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | D♭ Minor | 3 | 12A | 133 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 3. Allegro | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Bassoon Concerto in D Minor, RV 481: I. Allegro | Antonio Vivaldi, Sergio Azzolini, Sonatori de la Gioiosa Marca | D Minor | 3 | 7A | 113 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM |