Paul Hindemith, Christian Lindberg, Roland Pöntinen's 'Trombone Sonata *: Lied des Raufbolds (Swashbuckler's Song)' came out on January 1, 1984. With Trombone Sonata *: Lied des Raufbolds (Swashbuckler's Song) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christian Lindberg's "Lindberg, Christian: Virtuoso Trombone (The)" album is number 9 out of 11. The popularity of Trombone Sonata *: Lied des Raufbolds (Swashbuckler's Song) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trombone Sonata *: Lied des Raufbolds (Swashbuckler's Song) by Paul Hindemith, Christian Lindberg, Roland Pöntinen to be Vivace (lively and fast) because the track has a tempo of 173 テンポ, a half-time of 86テンポ, and a double-time of 346 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Bach - Fantasy and Fugue in C Minor, Op. 86 (after J.S. Bach's BWV 537): Fugue | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 80 BPM | ||
Piano Concerto No. 1 For Piano, Trumpet & Strings, Op. 35: III. Moderato | Dmitri Shostakovich, Denis Matsuev, Gabor Tarkövi, Kammerorchester Wien - Berlin, Rainer Honeck | A Major | 0 | 11B | 126 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Ludus Tonalis: XV. Interludium (Molto largo) | Paul Hindemith, Alena Cherny | A♭ Major | 0 | 4B | 69 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM |