Fernando Sor, Enea Leone's '24 Short Progressive Pieces, Op. 44: No. 12, Andantino' came out on August 8, 2014. The duration of 24 Short Progressive Pieces, Op. 44: No. 12, Andantino is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. 24 Short Progressive Pieces, Op. 44: No. 12, Andantino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #60. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, 24 Short Progressive Pieces, Op. 44: No. 12, Andantino is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Short Progressive Pieces, Op. 44: No. 12, Andantino by Fernando Sor, Enea Leone having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sons de Carrilhoes | João Pernambuco, Tatyana Ryzhkova | D Major | 2 | 10B | 77 BPM | ||
Variations on a Theme of Sor, Op. 15: Intermezzo. Andante molto espressivo | Miguel Llobet Solés, Lorenzo Micheli | E Major | 1 | 12B | 150 BPM | ||
Estudio de trémolo | Joaquin Clerch, Andrea González Caballero | A Minor | 1 | 8A | 89 BPM | ||
Give Us a Minute | Bret Williams | A Minor | 1 | 8A | 69 BPM | ||
4 Mazurkas : No. 2. Mazurka in G | Norbert Kraft | G Major | 0 | 9B | 107 BPM | ||
2 Arabesques (arr. for guitar and orchestra): Arabesque No. 1 | Claude Debussy, Gerald Garcia, CSSR State Philharmonic Orchestra, Kosice, Peter Breiner | C Major | 1 | 8B | 91 BPM | ||
Vals sentimental | Enrique Granados, Xuefei Yang | C Minor | 0 | 5A | 141 BPM | ||
De Visée / Transcr. Garcia: Pèces de théorbe et de luth, Suite en la mineur: I. Prélude | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 85 BPM | ||
3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM | ||
Notenbüchlein für Anna Magdalena Bach (Arr. for guitar A. Lagoya): 5. Menuet in G minor, Anh.115 | Christian Petzold, Alexandre Lagoya | G Minor | 2 | 6A | 117 BPM |