"Symphony in E Minor, Op. 32, "Gaelic": II. Alla siciliana - Allegro vivace" by Amy Beach, Neeme Järvi, Detroit Symphony Orchestra was released on May 1, 1992. Since Symphony in E Minor, Op. 32, "Gaelic": II. Alla siciliana - Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Barber: Symphony No. 1, School for Scandal Overture - Beach: Gaelic Symphony by Neeme Järvi, Detroit Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Symphony in E Minor, Op. 32, "Gaelic": II. Alla siciliana - Allegro vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in E Minor, Op. 32, "Gaelic": II. Alla siciliana - Allegro vivace by Amy Beach, Neeme Järvi, Detroit Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
From Six to Twelve, Op. 119: No. 4 Secrets of the Attic | Amy Beach, Kirsten Johnson | F Major | 1 | 7B | 100 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
Suite compostelana: II. Coral | Federico Mompou, Krzysztof Meisinger | F♯ Minor | 0 | 11A | 75 BPM |