Frédéric Chopin, Sharon Bezaly, Ervin Nagy's 'Variations in E Major on Non più mesta from Rossini's La Cenerentola: Variations on a theme by Gioacchino Rossini from the opera "La Cenerentola:, Op. Posth. (Arr. N. Mercz for flute and harp)' came out on August 31, 1999. With this song being about 5 minutes long, at 4:57, "Variations in E Major on Non più mesta from Rossini's La Cenerentola: Variations on a theme by Gioacchino Rossini from the opera "La Cenerentola:, Op. Posth. (Arr. N. Mercz for flute and harp)" by Frédéric Chopin, Sharon Bezaly, Ervin Nagy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Taffanel / Briccialdi / Chopin / Bazzinni / Borne: Flute Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Variations in E Major on Non più mesta from Rossini's La Cenerentola: Variations on a theme by Gioacchino Rossini from the opera "La Cenerentola:, Op. Posth. (Arr. N. Mercz for flute and harp) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations in E Major on Non più mesta from Rossini's La Cenerentola: Variations on a theme by Gioacchino Rossini from the opera "La Cenerentola:, Op. Posth. (Arr. N. Mercz for flute and harp) by Frédéric Chopin, Sharon Bezaly, Ervin Nagy having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Cyprien Katsaris | D♭ Major | 0 | 3B | 94 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM |