Quartet in A Major, K. 298: Variation III

Wolfgang Amadeus Mozart, James Galway, Peter Oundjian, Kazuhide Isomura, Sadao Harada
James Galway and Tokyo String Quartet Play Mozart Flute Concertos
1:20 1993日
テンポ
117
キー
D Major
キャメロットミュージックキー
10B

リンクを埋め込む

共有

Quartet in A Major, K. 298: Variation III - Wolfgang Amadeus Mozart, James Galway, Peter Oundjian, Kazuhide Isomura, Sadao Harada 情報

音響性
96%
ダンサビリティ
36%
エネルギー
11%
手段性
85%
活気
50%
ラウドネス
66%
話し言葉
4%
価数
32%
人気
ラウドネス
-20.179 dB

まとめ

Wolfgang Amadeus Mozart, James Galway, Peter Oundjian, Kazuhide Isomura, Sadao Harada's 'Quartet in A Major, K. 298: Variation III' came out on 1993. With Quartet in A Major, K. 298: Variation III being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, James Galway's "James Galway and Tokyo String Quartet Play Mozart Flute Concertos" album is number 17 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, Quartet in A Major, K. 298: Variation III is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Quartet in A Major, K. 298: Variation III テンポ

We consider the tempo marking of Quartet in A Major, K. 298: Variation III by Wolfgang Amadeus Mozart, James Galway, Peter Oundjian, Kazuhide Isomura, Sadao Harada to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Quartet in A Major, K. 298: Variation III キー

The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Sinfonia in C major, RV 112: II. Andante by Karoly BotvaySinfonia in C major, RV 112: II. AndanteKaroly BotvayC Minor15A112 BPM
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] by Johannes Brahms, Yo-Yo MaWiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]Johannes Brahms, Yo-Yo MaE♭ Major05B134 BPM
Kinderszenen by Robert Schumann, Ivan MoravecKinderszenenRobert Schumann, Ivan MoravecF Major07B131 BPM
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 by Janos Sebestyen, Johann Sebastian Bach2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779Janos Sebestyen, Johann Sebastian BachF Major37B123 BPM
Schumann: Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Cyprien KatsarisSchumann: Kinderszenen, Op. 15: No. 7, TräumereiRobert Schumann, Cyprien KatsarisD♭ Major03B94 BPM
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) by Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerConcerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro)Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerE♭ Major25B87 BPM
Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio - Cadenza: Dietmar Zeman by Wolfgang Amadeus Mozart, Dietmar Zeman, Wiener Philharmoniker, Karl BöhmBassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio - Cadenza: Dietmar ZemanWolfgang Amadeus Mozart, Dietmar Zeman, Wiener Philharmoniker, Karl BöhmF Major07B67 BPM
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio by Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauserヴァイオリン協奏曲 ニ長調 Op. 77: II. AdagioJohannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserC Major18B67 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): III. IntermezzoGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major34B161 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzF Major17B83 BPM
ISRC
USBC19100115
レコードレーベル
L-M Records/RCA Records