"De profundis (Psalm 130), Op. 50b: De Profundis (Psalm 130), Op. 50b" by Arnold Schoenberg, Simon Joly Chorale, Robert Craft was released on October 28, 2008. With this song being about 5 minutes long, at 4:59, "De profundis (Psalm 130), Op. 50b: De Profundis (Psalm 130), Op. 50b" by Arnold Schoenberg, Simon Joly Chorale, Robert Craft is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Schoenberg, A.: Violin Concerto / Ode To Napoleon / A Survivor From Warsaw". In this album, this song's track order is #4. De profundis (Psalm 130), Op. 50b: De Profundis (Psalm 130), Op. 50b is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De profundis (Psalm 130), Op. 50b: De Profundis (Psalm 130), Op. 50b by Arnold Schoenberg, Simon Joly Chorale, Robert Craft having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lose Blätter, Op. 13: No. 12, Choral | Max Reger, Markus Becker | D Major | 0 | 10B | 66 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Two Pieces for Cello and Piano (1899 Version, Ed. Piatigorsky): 1. Langsam - Live at Schloss Elmau, Krün / 2016 | Anton Webern, Mischa Maisky, Lily Maisky | G Major | 0 | 9B | 93 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
10 Preludes, Op. 23, No. 10: Largo in G-Flat Major (Arr. for Cello & Piano by Julian Riem) | Sergei Rachmaninoff, Raphaela Gromes, Julian Riem | F♯ Major | 0 | 2B | 90 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
8 Lieder, Op. 6: No. 2, Alles | Arnold Schoenberg, Claire Booth, Christopher Glynn | F♯ Minor | 0 | 11A | 85 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |