George Frideric Handel, Sir David Willcocks, Benjamin Luxon, Academy of St. Martin in the Fields made "Handel: Messiah, HWV 56, Pt. 1, Scene 2: Accompagnato. "Thus Saith the Lord"" available on January 1, 1972. With Handel: Messiah, HWV 56, Pt. 1, Scene 2: Accompagnato. "Thus Saith the Lord" being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields's "Handel: Messiah, HWV 56" album is number 5 out of 53. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Handel: Messiah, HWV 56, Pt. 1, Scene 2: Accompagnato. "Thus Saith the Lord" is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Handel: Messiah, HWV 56, Pt. 1, Scene 2: Accompagnato. "Thus Saith the Lord" by George Frideric Handel, Sir David Willcocks, Benjamin Luxon, Academy of St. Martin in the Fields to be Presto (very, very fast) because the track has a tempo of 181 テンポ, a half-time of 90テンポ, and a double-time of 362 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Harp Concerto in B flat, Op. 4, No. 6, HWV 294 - Transcr. from Organ Concerto No. 6, HWV 294 by composer: 2. Larghetto | George Frideric Handel, Ursula Holliger, André Pepin, Jean-Claude Hermanjat, I Musici | D Major | 1 | 10B | 126 BPM | ||
Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: I. Largo | George Frideric Handel, Gerhart Hetzel, Kurt-Christian Stier, Fritz Kiskalt, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | C Major | 1 | 8B | 120 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM |