"The Vanishing Bridegroom, Act II: The Friend Enters, Distraught" by Judith Weir, Stephen Jeffes, Andrew Tortise, Jonathan Lemalu, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #26 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act II: The Friend Enters, Distraught is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act II: The Friend Enters, Distraught by Judith Weir, Stephen Jeffes, Andrew Tortise, Jonathan Lemalu, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Vanishing Bridegroom, Act II: The Friend Enters, Distraught being at 59 テンポ, the half-time would be 30 テンポ with a double-time of 118 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Quis dabit oculis?: III. Ergo ululate pueri | Costanzo Festa, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 76 BPM | ||
The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | E Minor | 1 | 9A | 116 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
O Most Merciful | Charles Wood, Choir of Gonville & Caius College, Cambridge, Gavin Roberts, Geoffrey Webber | G Minor | 0 | 6A | 139 BPM | ||
St Alban | Judith Weir, Thomas Corns | G Major | 0 | 9B | 74 BPM | ||
Sonnet | Hendrik Andriessen, Koorproject Rotterdam, Albert de Klerk, Maarten Michielsen | A♭ Major | 1 | 4B | 79 BPM |