"Psalm 22 "My God, My God, Look upon Me"" by Matthew Camidge, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland was released on January 12, 1990. Since Psalm 22 "My God, My God, Look upon Me" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Psalms of David, Vol. 2: O Praise the Lord of Heaven". In this album, this song's track order is #17. Based on our statistics, Psalm 22 "My God, My God, Look upon Me"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 22 "My God, My God, Look upon Me" by Matthew Camidge, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Summons (Hymnal #622) | Anonymous, James Abbington, M. Roger Holland, Norah Duncan IV, Nicholas Palmer | F Major | 1 | 7B | 86 BPM | ||
These Alone Are Enough | The Chapel of St. Ignatius Choir | C Major | 1 | 8B | 84 BPM | ||
The Comforter Has Come | Choirs & Orchestra of the New Apostolic Church, Cape Town | E♭ Major | 2 | 5B | 77 BPM | ||
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM | ||
Melcombe "New Every Morning Is the Love" | Samuel Webbe, Sheffield Cathedral Choir, Peter Heginbotham, Neil Taylor | E♭ Major | 1 | 5B | 88 BPM | ||
Abide With Me (Arr. Julian Lee) | William Henry Monk, Julian Lee, Vladimir Kamirski, Melbourne Symphony Orchestra, Yvonne Kenny | A Minor | 2 | 8A | 95 BPM | ||
According to Thy Gracious Word | The Coventry Singers | B♭ Major | 3 | 6B | 130 BPM | ||
Collegium Regale Service, Evensong: I. Magnificat | Herbert Howells, Owain Park, Stephen Layton, The Choir Of Trinity College, Cambridge | B♭ Major | 1 | 6B | 86 BPM | ||
O vos omnes | Richard Dering, Wells Cathedral Choir, Anthony Crossland | F♯ Major | 1 | 2B | 86 BPM | ||
Svete Tihiy | Stellenbosch University Choir | E Major | 2 | 12B | 77 BPM |