"Berlioz: Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: II. "L'onde frémit" (Horatio)" by Hector Berlioz, Jean Martinon, Charles Burles, Michel Sendrez, Orchestre National de l'O.R.T.F. was released on 1973. Berlioz: Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: II. "L'onde frémit" (Horatio) is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 7 out of 18 in Berlioz: Épisodes de la vie d'un artiste by Hector Berlioz, Jean Martinon, Orchestre National de l'O.R.T.F.. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Berlioz: Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: II. "L'onde frémit" (Horatio) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: II. "L'onde frémit" (Horatio) by Hector Berlioz, Jean Martinon, Charles Burles, Michel Sendrez, Orchestre National de l'O.R.T.F. is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Peer Gynt Suite No.2 op. 55 Arab Dance ( Allegretto vivace) | Academy of St. Martin in the Fields | A Minor | 2 | 8A | 126 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
La Damnation de Faust, Op. 24, H. 111: Pt. IV, Scène XVIII - La course à l'abîme. "Dans mon coeur retentit sa voix" | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Bryan Hymel, London Symphony Chorus, Christopher Purves | D♭ Major | 2 | 3B | 156 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM |