Johann Sebastian Bach, Göran Söllscher made "Suite for Solo Cello No. 1 in G Major, BWV 1007 (Transcr. for Solo Guitar by Göran Söllscher): VI. Gigue" available on July 30, 2022. With Suite for Solo Cello No. 1 in G Major, BWV 1007 (Transcr. for Solo Guitar by Göran Söllscher): VI. Gigue being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 43 out of 253 in BBQ Night with Bach by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Suite for Solo Cello No. 1 in G Major, BWV 1007 (Transcr. for Solo Guitar by Göran Söllscher): VI. Gigue's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suite for Solo Cello No. 1 in G Major, BWV 1007 (Transcr. for Solo Guitar by Göran Söllscher): VI. Gigue by Johann Sebastian Bach, Göran Söllscher is Allegro (fast, quick, and bright), since this song has a tempo of 153 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 1 in D minor, BWV 1063: 1. (Allegro) | Johann Sebastian Bach, Christoph Eschenbach, Gerhard Oppitz, Justus Frantz, Hamburger Philharmoniker | D Minor | 2 | 7A | 109 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM |