"Sonata For Violin And Continuo in G Minor, B. g5 - "Il trillo del diavolo"" by Giuseppe Tartini, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine was released on January 1, 1993. Sonata For Violin And Continuo in G Minor, B. g5 - "Il trillo del diavolo" appears to be safe for all ages as it is not explicit. The song is number 3 out of 11 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Wiener Philharmoniker, James Levine, Gabriel Fauré, Giuseppe Tartini, Henryk Wieniawski, Jules Massenet, Maurice Ravel, Pablo de Sarasate. Sonata For Violin And Continuo in G Minor, B. g5 - "Il trillo del diavolo" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata For Violin And Continuo in G Minor, B. g5 - "Il trillo del diavolo" by Giuseppe Tartini, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Passacaglia for solo violin (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 123 BPM | ||
Violin Sonata in G Minor "Devil's Trill" | Giuseppe Tartini, David Oistrakh, Lev Oborin | G Minor | 2 | 6A | 95 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM |